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  1. Wind & Wuthering followed quickly on the heels of A Trick of the Tail and they're very much cut from the same cloth, working the same English eccentric ground that was the group's stock in trade since contwinkevbderlogptanvidensauculmody.coinfo if A Trick of the Tail played like Genesis' attempt at crafting a great Genesis record without Peter Gabriel, as a way of finding their footing as a quartet, Wind & Wuthering .
  2. The Wind & Wuthering Tour was an English, North American, South American and European concert tour by the English rock band Genesis.. Their last tour with guitarist Steve Hackett prior to his departure, and the first with Chester Thompson as their touring drummer, the tour was staged in support of their album Wind & Wuthering and their extended play Spot the .
  3. Mar 03,  · Genesis comments on their eighth album Wind & Wuthering. Genesis Box One For The Vine Blood On The Rooftops Afterglow Link For And Then There We.
  4. Wind & Wuthering, an Album by Genesis. Released 27 December on Charisma (catalog no. CDS ; Vinyl LP). Genres: Progressive Rock. Featured peformers: Phil Collins (lead vocals, drums, cymbals, percussion), Steve Hackett (electric guitar, aka_text {classical guitar} role_id aka_text, string guitar, aka_text kalimba role_id aka_text, autoharp), .
  5. My favorite song on this album is One for the vine. Reply. Martin. January 17, at pm GENESIS WIND AND WUTHERING VIRGIN CHARISMA 17/12/ Silver 16/02/ Reply.
  6. Wind & Wuthering is the eighth studio album by English progressive rock band Genesis. It was released on 17 December on Charisma Records and is their last studio album .
  7. One imagines the Genesis of in a similar rut. They’d written some songs, hoping to score a hit somewhere. Given their very first batch of songs the outlook was dim, so they made another attempt, more targeted this time, which became a single, which went nowhere.
  8. Jul 31,  · If you're even a casual Genesis fan you've probably asked WHY are the CD editions of Wind and Wuthering so inferior. Disregarding the over EQed and over compressed rexmixes, it seems there is simply no suitable version of my personal favourite Genesis album. I've started to ask myself why.
  9. The album mixes strongly lyrical tales such as 'Eleventh Earl Of Mar' and 'One For The Vine', more beautiful, broad statements like 'Blood On The Rooftops' (possibly the best ever Genesis track co-written by Collins?), and many instrumental workouts typical of early Genesis, here in perhaps their most tight and accomplished form/5().

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